Gracie Abrams ‘Daughter from Hell’ review: Navigating rock-bottom despair with a safe pop edge
Gracie Abrams returns with Daughter from Hell, a darker, deeply vulnerable third studio album. Anchored by the devastating direct address of 'Broke...
Northern Bass 2026 lineup drops: Andy C, JME, and Culture Shock headline massive 15th anniversary festival
The Northern Bass 2026 lineup has officially landed, marking the 15th anniversary of New Zealand's premier New Year's electronic music...
Co-op Live Manchester Venue: The Ultimate Guide
Heading to a gig at the UK's biggest indoor arena? Don't get caught out by the strict security gate rules....
Sam Tompkins finds freedom in the outdoors on the infectious ‘Crawling Out My Skin’
Sam Tompkins delivers a brilliant, sun-soaked preview of his second album with 'Crawling Out My Skin', an upbeat and organically...
Album Review: Suki Waterhouse strikes a brilliant, mature balance on the promising ‘Loveland’
Suki Waterhouse delivers a highly promising evolution on Loveland, an atmospheric third studio album that pairs high-level production from Aaron...
Mayday Parade find clarity on new single ‘Lying To Myself’, announce trilogy finale ‘Sugar’
Mayday Parade have announced their upcoming album Sugar, dropping 24 July as the final chapter in their massive three-part trilogy....
Pixie Lott’s fan-powered comeback ‘Dance Like No One’s Watching’ is a welcome return that falls slightly short of classic status
Pixie Lott returns to her big-production roots with 'Dance Like No One’s Watching', a fan-selected party record that showcases her...
The Script share anthemic new single ‘The Crowd Was Singing Wonderwall’, outline album details
The Script have officially announced their new album The User’s Guide To Being Human, due out 14 August. The announcement...
