Single Reviews
Bino Bames Gets Brutally Honest on ‘Nothing’s Real’
Candi Carpenter’s “American God” Is a Queer, Unholy Anthem You Won’t Shake Off
If Lady Gaga, Nine Inch Nails and a possessed church choir had a baby raised by queer witches, this would...
For Those I Love’s Carving The Stone is a Fierce, Unflinching Portrait of Modern Dublin
Out now via September Recordings, Dublin artist David Balfe’s second album isn’t just music — it’s a manifesto wrapped in...
Tom Grennan’s New Era Lands With Anthemic ‘Somewhere Only We Go’
It’s big, it’s bold, and it’s begging to be shouted back at him in an arena. With glittering guitar lines,...
Olivia Dean’s “Lady Lady” is an elegant reflection on growth and self-worth
From the first verse of “Lady Lady”, Olivia Dean sets the scene for a quiet kind of transformation. She’s packing up,...
Bino Bames drops latest track ‘Isolated’
Bino Bames is not playing by the rules, he’s writing his own. After turning heads with his debut ‘Cocktail Princess’, the 19-year-old Vegas-raised...
Calum Hood’s Solo Debut Is a Dreamy Pop Confessional
Having been the underrated backbone of 5 Seconds of Summer, often behind the basslines and the harmonies rather than front...
Teo Glacier Returns with Perfectly Mine – A Smooth, Sentimental R&B Glow-Up
Teo Glacier doesn’t do loud entrances, he lets the music do the talking. And his latest single Perfectly Mine released 27 June...
Danica Bryant’s ‘Narcissist’ Is Sweet, Sharp, and Brutally Self-Aware
New Zealand’s alt-pop provocateur Danica Bryant is back with one last morsel before the main course — her debut album FEAST,...
